Darcine’s Day

A social issues drama starring Kyla Diane Kennedy and Brent Huff.

Synopsis (provided by Omeleto)

Darcine Thomas is recently divorced and starting over, but she's struggling to get back on her feet. Looking for work, she pursues a series of opportunities from a business idea to a job opening, but comes up against obstacles at every turn.

Her only help comes from a well-meaning friend, but when she realizes just what is being asked of her, she faces a difficult choice between her dignity or remaining unseen for the help she really needs.

Directed and written by Aaron Goffman, this quiet, restrained drama follows the efforts of one woman trying her best to get her life back on track after a broken marriage, only to find herself facing a growing pile of difficulties. Told with compassion and a clear-eyed sense of observation, it captures just how easily it is for someone to slip through society's cracks -- and how hard it can be to pull yourself out of an abyss that only seems to deepen with each failed effort.

The storytelling is gentle and perceptive, much like the main character of Darcine herself, charting her day as she goes about her life and schedule, which is filled with interviews, appointments and meetings. Captured in an even-handed visual realism that can veer from optimistic to drab, depending on the mood, Darcine's life events seem ordinary: a meeting with a loan officer, a job interview for a teaching post. But these ordinary assignations carry great import and high stakes for Darcine, which is why it hits even harder when she faces one disappointment after another.

As Darcine, actor Kyla Diane Kennedy offers a beautifully sympathetic and understated performance, conveying Darcine's intelligence and strength. But as the narrative progresses, our fuller understanding of her situation also unfolds, making her setbacks all the more painful for her and us. The tone of the film is never melodramatic and Darcine is never self-pitying, but even her fortitude falters as her disappointments accumulate. When she's presented with a helping hand, however, she is faced with just how far she will go to get a foothold at a low point that only seems to deepen with each difficulty.

Sensitive, empathetic yet refusing easy comfort, DARCINE'S DAY conveys the dilemmas of "hidden homelessness," when people lack stable housing but stay with friends or family as they look for work and benefits. They're not technically counted among those experiencing homelessness and therefore don't often access services. But, as the film shows, they're often just a few setbacks away from being truly unhoused, with no place to stay and no safety net to catch them. It's a lonely, isolating space, when goodwill and resources are dwindling and there is nowhere else to go and no one else to lean upon.

 

Director Biography

Aaron Goffman wears many hats: writer, director, editor, property master, art director, and production designer. And he’s been self-taught at almost every step of his career.

Goffman’s career officially started as a photo-assistant for big-name advertising photographers (James Wood; Mark Coppos; Herb Ritts), many of whom went on to become commercial directors. That was Goffman’s introduction to the film business.

As a property master, Goffman’s credits include, Commercials: Pepsi; Apple; McDonalds; ESPN X-Games; Nike; and Mercedes Benz. Music Videos: Billy Idol’s “L.A. Woman”, directed by David Fincher; The Beatles’ “Free As A Bird” directed by Joe Pytka. Television Shows: Freeform’s Grown-ish and Twisted; Showtime’s Dexter; Netflix’s Monsters; ABC’s FlashForward; HBO Max’s Minx; Hulu’s Dollface and Reasonable Doubt; NBC’s A.P. Bio. Feature Films: Ana Lily Amirpour's The Bad Batch; Michael Tiddes’ 50 Shades of Black; Mike Hall’s Lockdown 2025; Dianne Houston’s documentary Michael Jackson: Searching For Neverland; Adam Robitel’s Insidious: The Last Key; Michael Chaves’s The Curse of La Llorona; and more. 

Goffman’s production design credits include: Steve Winwood’s “Spy In The House Of Love”; Baby Face’s “I Care About You”; and Aaliyah’s “Anastasia” (directed by Mark Gerard); Garbage’s “Stupid Girl” and “Only Happy When It Rains” (directed by Sam Bayer); Nelly Furtado’s “Powerless (Say What You Want)” (directed by Bryan Barber); and Barry Adamson’s “Black Amour” (directed by Floria Sigismondi).

As a writer and director, Goffman’s credits include Leonard Cohen’s “Dance Me To The End of Love”, co-written with Quentin Tarantino (who stars in the video); The Young Dubliners’ “Blink”, and more.

In 2024, Goffman wrote, directed, and edited the short film/proof of concept “Darcine’s Day,” which received the 2025 SAG/AFTRA Foundation’s Excellence In Filmmaking Award, and went on to win 36 more awards including: Best Drama, Best Short Film, Best Writing and Best Director.

Goffman is currently developing Darcine’s Day into a feature film.